Fugitive Images

Estate and Olivia Chaney

2013
 
Tracking the passing of Hackney's Haggerston Estate and wider utopian principles of social housing, Estate offers an unruly celebration of extraordinary everyday humanity. As a 1930s block is bulldozed, a luxury-apartment-complex rises. Challenging tired stereotypes, Estate interweaves intimate long-term observational footage with the residents' own historical re-enactments and dramatised reveries. Please click here for the film's edicated website.photo Briony Campbell
 Olivia is a classically-trained singer/songwriter who will compose and perform original songs, drawn from history, archive and resident's stories narrating the life of the estate.
Empty Words make Empty Buildings
We are delighted to have received support from PRSF (Foundation for New Music) towards Olivia writing and composing songs about the Estate.
 
The following photographs are from Olivia's performance on the estate for Empty Words Build Empty Homes (September 22nd, 2012). Olivia performed two sets, one in the afternoon to an audience of around 150, and in the evening, which was open to the public.
 
 There will be several more performances, also on the estate itself, with Olivia's song cycle. Most likely a large public one in march 2013 (please check the events tab). During the year we will add previews of her songs to the site.
 
 For those of you who do not yet know Olivia's music, you can see the wonderful reviews about her below, and keep checking in to see her live, also via her own website: http://oliviachaney.net/
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‘…Multi-talented.. completely dizzying, a sound that didn't seem to be of this earth.’
LA Weekly
 
 ‘Haunting, majestic and truly stunning, London's Olivia Chaney brings traditional folk back into a world of alt. folk..’
Bearded Magazine
 
‘..pure-voiced romanticism’
Will Hodgkinson, MOJO
 
'Beautiful, moving, intelligent singing'
Shirley Collins
 
‘Singer Olivia Chaney is on a distinctive musical journey and,
increasingly people are sitting up and taking notice.’
Philip Ward, R2 Magazine
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